I’ve spent all week on one chapter of the Sword & Sandal. It’s admittedly a long chapter. But not that long (about 6000 words so far, and climbing). To be fair to myself, I’ve spent a lot of work editing. On that front, I should point everyone to this little side project: http://fav.me/d5ylwfa
The Crux is probably best described as my own response to The Dark Tower and Six Gun Tarot. It’s something I did more or less completely for fun, with knowledge that even Weird Westerns set on post-apocalyptic future worlds are still not really marketable. So I don’t have any problem sharing it there. But I love Westerns. And I hated what the second of the books above, in particular, did with the genre. I think there’s enough room to be “punkish” without going all PC. And of course, if you’ve followed me long enough, you know I despise Message Fic.
I wrote this last year. It grew out of a short story character concept that sprang into my head a while before that: http://fav.me/d48a92f which earned me a Daily Deviation on dA. I couldn’t come up with a good story for Phoebe right off, after that. But she wouldn’t leave my head. So I turned back to the Wastes, and mashed up magic, western, post-apocalyptic adventure, steampunk, and a dash of potboiler (though much less than usual), to make what is probably my most straight-out adventure story. It started out with its own magic system, but wound its way into my Auroriverse. I’m not sorry for that. There are plenty of messed-up worlds to write about in it. Even if the current project and my Space Opera are distinct. 😉
It’s the story of a gambler, a gunslinger, and a cannibal (yes, he’s a good guy) in the last bit of civilization for a thousand miles in any direction. And ‘civilization’ is a loose term, when you speak of a world forsaken even by its gods. When one gets out of sight of the city’s gaslamps, anything goes. Really, I had as much fun as anything I’ve written outside my Urban Fantasies.
I tossed aside Brett Weeks Night Angel the other day. I’m fairly certain that establishes me as having fallen out of love with true GrimDark. Especially since I devoured Ringo’s Princess of Wands in 3 days. Yeah, I know, there’s a message in it. But contrary to dedicated message-fic masquerading as speculative fiction these days, there’s a STORY first. And Ringo isn’t Anvilicious about the message. Besides, some people do need to know that not every believing Christian is the stereotype of a Bible Thumper. I’ll concede faith often plays an important part (and usually positive) in my stories. I don’t think you can be honest to historically-based fantasy without making it so. But that doesn’t mean I either have to make every hero ‘jaded on religion’ and a modernist in disguise. Or a bigot either. Those two character types have become a veritable cliche in modern fantasy, and not even the reviewers call it out. So yes, when Ringo makes a character who isn’t one of either, it’s nice to see. Much like the Carpenters in The Dresden Files.
Maybe this is why I’ve gravitated to Urban Fantasy for my reading these days. Epic Fantasy has been overrun by dark, depressing places I don’t care to visit, with characters that have few, if any, redeeming features. Glen Cook was never as depressing as the people who’ve come after him. Look at his Instrumentalities of the Night series. Sure, there’s a lot of darkness involved. But Piper is far from an unsympathetic character, even as a mercenary. It’s ironic we have to descend to the grime of the cities to find characters we can believe in anymore.